Welcome To The Harem
Women On A Bench by Shahara Zade
Summary: A strange and unfortunate coincidence? References to Krycek/Marita and Mulder/Scully, Season 9.
Title: Women On A Bench Author: Sharhara Zade (shaharazade@hotmail.com) Spoilers & Warnings: Through s/9, refs to character death Keywords: Shipperdom, Skamperdom, babies Summary: A strange and unfortunate coincidence? Notes: Thanks to Josie and Kelly for beta. Written for "The Light at the End of the Tunnel" Lyric Wheel. Lyrics from "What a Wonderful World" listed at end. He seemed to like the National Mall. He burbled and smiled as she pushed him in his stroller, oblivious to the significance of the place. Scully liked the Mall too, both for sentimental reasons and, more importantly, its openness. There weren't many places for dangers to hide on the green lawns. She could almost feel safe here. Scully wouldn't have noticed the woman on the bench if she hadn't heard a baby crying. Will, inevitably sensitive to another's distress, began wailing in sympathy and so she stopped. It took her a moment to remember the woman's face. She had never had a name to put with it; it was just another source of secrets. Then fear boiled up with recollection, and she would have drawn her weapon, but one didn't point guns at babies, no matter who their mothers were. She quickly lifted Will into her arms and took a step backward, cursing the loose, comfortable shoes she had slipped on that morning - too hard to run in. "What do you want?" She asked. The woman's wide eyes registered shock and fear. Her arms tightened around her little girl. "Nothing!" She let out a breath and seemed to regain a fragment of composure. "I want to be left alone." "Then why you're following me?" Scully snapped. "Look, I am so *sick* of you people- " "This meeting is a.a strange.and unfortunate coincidence, Agent Scully, nothing more, I can assure you." Scully scanned the area for observers and for snipers, her heartbeat frantic in her chest. After a moment, she detected nothing and relaxed slightly. "There have been so many *strange and unfortunate* coincidences recently in my life, that's a little difficult for me to accept. Why are you here?" "This is one of the few places you can be out among people, see friends shaking hands, lovers embracing, tourists gawking. You can almost feel normal here, for a while and it's so.open. There's nowhere for anyone to hide easily." The breeze picked up and blew a strand of gold hair across her face. She didn't bother to brush it back. Scully thought that she had never seen anyone look more alone, except when she looked in the mirror. She spoke softly, "You are target then? Is your daughter also - " "No. No, but she is Immune. Her father and I were both exposed and survived it." Her chin tilted upwards. She swallowed and cleared her throat and the gesture was familiar enough that it unsettled Scully. She wondered which and how many of Mulder's unconscious mannerisms she had acquired over the years without even noticing. She thought she should have been angrier. Anything and anyone associated with the damned conspiracy should have inspired horror and contempt, if not outright hatred. She sought the old clarity of righteous fury in herself, something to hurl in the face of this woman and her secrets. She found none. "I - we should go." The woman said. "You are watched so closely. You know that, don't you? Always watched." She stood, but Scully reached out and caught the black sleeve of her sweater. "Wait. You can tell me why Krycek did what he did, what it means. These people threatening us. You know about it, don't you?" "Please let me go." The woman tried to pull away, but when Scully held on, she went still. "Tell me!" "Agent Scully," she said. "Don't draw attention to us. You wouldn't believe me and it wouldn't matter if you did. They will catch up to Mr. Mulder, sooner or later, and your son, and they will be killed.you and me, too. We can't stop it, and the terrible irony is, it isn't even true!" "What isn't?" "This notion that if we could communicate with the Colonists, that we would welcome them, embrace them. That they are *us*, a million or so generations in the future. It was all a lie, a rumor started by one of the old men, bluffing to muddy the waters. That's all it ever was, but alien doesn't equal omniscient. They can be just as stupid and gullible as we - " "And Krycek believed this lie?" Scully asked. She had thought that she couldn't be surprised anymore, but she was frozen with it, immobile, one arm around her son, who continued to scream, and the other griping the woman's wrist with adrenaline strength. "He was so desperate, so ready to grasp at *any* sense of hope, no matter how absurd or farfetched! He died for nothing, died because he couldn't see reason anymore." Tears streamed down the woman's cheeks, soaking the dark hair of the child she clutched to her chest. Scully's own vision blurred and her throat closed tight. She slid her hand down the woman's wrist, easing them both back onto the bench. Her head swam. "The last night I saw him.he helped me down the stairs. He.he could have done it then. No one else was around, it would have been so easy.and he didn't. He was very.very gentle." "I didn't say he *wanted* to do it," The woman beside her took a deep breath. "He just believed that he had to. I tried to tell him, tried to make him understand he didn't have to hurt you or anyone else. I swear, I told him over and over, but he wouldn't hear me." "I wish I could say I was sor - " "No, don't. We should go," the woman said. But she didn't try to get up. The two of them sat, watching the faces of people going by, the shapes of the clouds, and their children, who had fallen quiet, seemingly fascinated by one another. After a while, the woman said, "I never told him about the child." "Why not? It might have changed his course of action." "Maybe. We just never had the right moment. There was never time enough." Scully nodded, relating and forgetting to be disturbed by the nature of the relation. "What should I tell her about her father? That he was a killer? A crazed zealot? That I never knew him? Sometimes, I think that is the truest thing I could say." "It's supposed to get better, with time. That's what people kept telling me," Scully said. "Yes, it gets better," the woman agreed. "It gets better, and then it's like it never got better at all. It's so *easy* to pretend he's still out there in the shadows." Scully entwined her fingers with the other woman's and squeezed for a moment, then disengaged. She didn't want to accept the sense of shared loss flowing over her, twisted as it was. "I know." "You do, don't you? Maybe you are the only one who ever could." The woman beside her bowed her head. "There was a time when I might have agreed with you," Scully said. "But now.now I'm not so sure. I think Cassandra Spender would have understood perfectly. Maybe Teena Mulder too. Any woman who lived during wartime might. We think of ourselves in such an isolated way, but you if asked women in Sarajevo, and Kigali, and Jerusalem and Jakarta.I think you would find many who could understand." "Perhaps," said the woman sadly, wiping her nose. "We've been caught on opposite sides of an invisible river. In other circumstances, we might have watched our children grow together. Watched them learn more than we ever could, achieve things we never dreamed." Something sparked in Scully, flared hot and bright, and she thought of the night she said goodbye to Penny Northern. She turned to the woman who sat beside her. "We haven't yet been formally introduced, not really. I don't even know your.um.well.my name is Dana Scully." "Last time I glanced at it, my passport indicated that I was Marita Covarrubias." She half smiled. "I might still be, somewhere, I suppose." Scully leaned toward her. "Are we enemies, Marita Covarrubias? You and I?" A small diamond shape appeared at the bridge of Marita's nose as her eyes narrowed. Seeing it made Scully think again of the way some couples seemed to trade parts of themselves. "No," said Marita. "No, I can't afford enemies. My daughter can't afford enemies." Scully nodded, closing her eyes, resigned. "Of course, as you said, it doesn't matter. We will all be murdered eventually because of a foolish rumor. A time bomb invented by a faction that no longer exists. I will be killed, protecting Mulder and Will, and you will be killed - " "Out of guilt by association," finished Marita. "I'm sorry. I.I didn't mean to be morbid." The miserable choking feeling began to subside in Scully's throat. "You think you're ready. Ready, finally, to let them have their way, and you know, nobody would blame you. You've imagined you could let them make it quick and easy, that you would be grateful if it was just painless. And then," Scully's voice shook, "then you look at your child, and you just can't let go." "No. No, I can't." "So you find yourself running again, missing him, that other piece of you.and hoping it can work out somehow, because you realize you can't stand to give up after all. Well, Marita, I can't give up either, not yet." "What will you do?" "What I've always done, try to expose the truth, this truth in particular now. I don't quite know how I will convince our would-be assissins, but I have to try. Will you - " "Help you? Yes. Any way that I can. I should have come to you before, Agent Scully." Scully shook her head. "Before now, I wouldn't have been able to hear you." END What A Wonderful World Sung By Louis Armstrong I see trees of green, red roses too I see them bloom for me and you And I think to myself what a wonderful world. I see skies of blue and clouds of white The bright blessed day, the dark sacred night And I think to myself what a wonderful world. The colors of the rainbow so pretty in the sky Are also on the faces of people going by I see friends shaking hands saying how do you do They're really saying I love you. I hear babies crying, I watch them grow They'll learn much more than I'll never know And I think to myself what a wonderful world Yes I think to myself what a wonderful world.
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